The press, the mirror, and the window: the intermedial construction of the reader in Sebastian Brant’s Ship of Fools.Published in:Word & Image, 2016, v. 32, n. 4, p. 375, doi. 10.1080/02666286.2016.1214801By:Haubenreich, JacobPublication type:Article
From page to print: the transformation of the 'wild woman' in early modern Northern engravings.Published in:2011By:Moseley-Christian, MichellePublication type:Essay
Imperial Augsburg: Renaissance Prints and Drawings, 1475-1540.Published in:2013By:Schmidt, Suzanne KarrPublication type:Book Review
the viewer and the printed image in late medieval europe.Published in:2012By:L'Estrange, ElizabethPublication type:Book Review