Satyajit Ray (1921–1992).
- Published in:
- Continuum: Journal of Media & Cultural Studies, 1992, v. 5, n. 2, p. 385, doi. 10.1080/10304319209388245
- By:
- Publication type:
- Article
Works matching Ray, Satyajit, 1921-1992
Results: 79
1
2
Reading the 'Facts' in Satyajit Ray's documentary films: a critical overview.
- Published in:
- Doc On-Line: Revista Digital de Cinema Documentário, 2017, n. 21, p. 147, doi. 10.20287/doc.d21.ar5
- By:
- Publication type:
- Article
3
The Changing World of Satyajit Ray: Reflections on Anthropology and History.
- Published in:
- Media Watch, 2020, v. 11, n. 2, p. 371, doi. 10.15655/mw/2020/v11i2/195663
- By:
- Publication type:
- Article
4
The Changing World of Satyajit Ray: Reflections on Anthropology and History.
- Published in:
- Media Watch, 2013, v. 4, n. 1, p. 4, doi. 10.1177/0976091120130102
- By:
- Publication type:
- Article
5
WORK, PLAY AND LINGUISTIC HYBRIDITY IN POSTCOLONIAL INDIA: (DE)FORMING THE INDIAN MIDDLE CLASS IN RAY'S KANCHENJUNGHA.
- Published in:
- Post Script, 2006, v. 25, n. 3, p. 7
- By:
- Publication type:
- Article
6
INTRODUCTION: INDIAN CINEMA AND FILM STUDIES.
- Published in:
- Post Script, 2006, v. 25, n. 3, p. 3
- By:
- Publication type:
- Article
7
Anti-Colonial Joyce, Rushie, Ray.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
8
The Contours of Affinity: Satyajit Ray and the Tagorean Legacy.
- Published in:
- 2012
- By:
- Publication type:
- Essay
9
SATYAJIT RAY'S THE CHESS PLAYERS.
- Published in:
- History Today, 2007, v. 57, n. 7, p. 20
- By:
- Publication type:
- Article
10
Tradition and Modernity: An Analysis of Satyajit Ray's The Post Master.
- Published in:
- 2021
- By:
- Publication type:
- Literary Criticism
11
Through Agnostic Eyes: Representations of Hinduism in the Cinema of Satyajit Ray.
- Published in:
- Religions, 2023, v. 14, n. 6, p. 749, doi. 10.3390/rel14060749
- By:
- Publication type:
- Article
12
SF/F Now, University of Warwick, 22-23 August 2014.
- Published in:
- 2014
- By:
- Publication type:
- Proceeding
13
Encounters with the Forbidden: Satyajit Ray’s Pratidwandi and Jana Aranya.
- Published in:
- 2020
- By:
- Publication type:
- Film/TV Criticism and Review
14
The World According to Satyajit Ray.
- Published in:
- 2021
- By:
- Publication type:
- Interview
15
'The Universal Film for all of us, everywhere in the world': Satyajit Ray's Pather Panchali (1955) and the Shadow of Robert Flaherty.
- Published in:
- Historical Journal of Film, Radio & Television, 2009, v. 29, n. 3, p. 277, doi. 10.1080/01439680903145520
- By:
- Publication type:
- Article
16
Three paths to Asian cinema.
- Published in:
- Metro, 2019, n. 200, p. 34
- By:
- Publication type:
- Article
17
From BOOM to bust to where?
- Published in:
- Metro, 2009, n. 162, p. 78
- By:
- Publication type:
- Article
18
Picturing The Postmaster: Tagore, Ray, and the Making of an Uncanny Modernity.
- Published in:
- 2012
- By:
- Publication type:
- Essay
19
Vision of Tagore through Applicability in the Spectrum of Ray and Ghosh: Reflection of Feminine Approach in two Bengali Movies.
- Published in:
- Media Watch, 2013, v. 4, n. 1, p. 40, doi. 10.1177/0976091120130104
- By:
- Publication type:
- Article
20
The Home and the World (Film).
- Published in:
- 1990
- By:
- Publication type:
- Film/TV Criticism and Review
21
Indian truths.
- Published in:
- 1988
- By:
- Publication type:
- Book Review
22
From Inner Eye to After Sight: Benode Behari Mukherjee in London.
- Published in:
- Chitrolekha Journal on Art & Design, 2021, v. 5, n. 1, p. 1, doi. 10.21659/cjad.51.v5n102
- By:
- Publication type:
- Article
23
A READING OF SATYAJIT RAY’S PATHER PANCHALI AND AGANTUK AS SUBTEXTS OF FICTIONAL ETHNOGRAPHY.
- Published in:
- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 77, doi. 10.25145/j.recaesin.2021.83.06
- By:
- Publication type:
- Article
24
AN ERA OF DARKNESS: SATYAJIT RAY’S ANTICOLONIAL PROJECT.
- Published in:
- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 51, doi. 10.25145/j.recaesin.2021.83.04
- By:
- Publication type:
- Article
25
Weaving Fiction from Facts in the Adventures of Feluda.
- Published in:
- South Asian Review, 2023, v. 44, n. 2, p. 155, doi. 10.1080/02759527.2022.2033072
- By:
- Publication type:
- Article
26
Cinema, emergence, and the films of Satyajit Ray.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
27
The World Within the Home Tracing the Sound in Satyajit Ray's Films.
- Published in:
- Music, Sound & the Moving Image, 2017, v. 11, n. 2, p. 131, doi. 10.3828/msmi.2017.9
- By:
- Publication type:
- Article
28
The uses of the passport: The Chess Players and narratives of British nationhood.
- Published in:
- 2010
- By:
- Publication type:
- Literary Criticism
29
Speaking Crows and Alien Fish: Nonhuman Cosmopolitanisms in Satyajit Ray's Speculative Fiction.
- Published in:
- 2024
- By:
- Publication type:
- Literary Criticism
30
Satyajit Ray's The Alien and the History of a Lost Movie.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
31
Charulata as an Adaptation of 'Nastanirh': Satyajit Ray's Craftsmanship in the Recreation of Tagore's Work on Celluloid.
- Published in:
- Language in India, 2020, v. 20, n. 11, p. 23
- By:
- Publication type:
- Article
32
A Study of the Cinematic Adaptation of Premchand's Shatranj ke Khiladi.
- Published in:
- Language in India, 2018, v. 18, n. 10, p. 17
- By:
- Publication type:
- Article
33
Parallel Cinema.
- Published in:
- Writers Editors Critics, 2013, v. 3, n. 2, p. 80
- By:
- Publication type:
- Article
34
Problematizing Dalit Chetna: Sadgati as the Battleground of Conflict between the 'Progressive Casteless Consciousness' and the Anti-Caste Dalit Consciousness.
- Published in:
- Rupkatha Journal on Interdisciplinary Studies in Humanities, 2020, v. 12, n. 4, p. 1, doi. 10.21659/rupkatha.v12n4.10
- By:
- Publication type:
- Article
35
Rupturing the 'political': Socialist-Utopian Performatives in Satyajit Ray's Seemabadhha (Company Limited).
- Published in:
- Rupkatha Journal on Interdisciplinary Studies in Humanities, 2014, v. 6, n. 3, p. 41
- By:
- Publication type:
- Article
36
Satyajit Ray, the Pather Panchali sketchbook , edited by Sandip Ray.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
37
Cinema, emergence, and the films of Satyajit Ray , by Keya Ganguli.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
38
'The fruits of independence': Satyajit Ray, Indian nationhood and the spectre of empire.
- Published in:
- South Asian History & Culture, 2011, v. 2, n. 3, p. 374, doi. 10.1080/19472498.2011.577569
- By:
- Publication type:
- Article
39
Peeking from cloistered quarters: Women emancipation and spatial claim in relation to the Andarmahal culture of Bengal in close connection with Satyajit Ray's GhareBaire.
- Published in:
- Creative Forum, 2022, v. 35, n. 1/2, p. 138
- By:
- Publication type:
- Article
40
Satyajit Ray's Devi: constructing a third-world feminist critique.
- Published in:
- Screen, 1992, v. 33, n. 2, p. 165, doi. 10.1093/screen/33.2.165
- By:
- Publication type:
- Article
41
Important Publication.
- Published in:
- 2008
- By:
- Publication type:
- Book Review
42
Dimensions of Narrative Through Dress: Portrayal of the Marginalized in Satyajit Ray's Sadgati.
- Published in:
- Contemporary Literary Review India, 2020, v. 7, n. 4, p. 190
- By:
- Publication type:
- Article
43
STATUS OF WOMEN IN PATHER PANCHALI (SONG OF THE ROAD).
- Published in:
- Research Horizons, 2017, v. 7, p. 45
- By:
- Publication type:
- Article
44
Tomar naam, amar naam, Vietnam Vietnam! Folk styles and solidarity in the Bengali new wave cinema.
- Published in:
- Inter-Asia Cultural Studies, 2023, v. 24, n. 3, p. 507, doi. 10.1080/14649373.2023.2209434
- By:
- Publication type:
- Article
45
‘Our films, their films’: postcolonial critique of the cinematic apparatus.
- Published in:
- Postcolonial Studies, 2014, v. 17, n. 4, p. 382, doi. 10.1080/13688790.2014.986020
- By:
- Publication type:
- Article
46
In Defiance of the State: The Nehru Era and Satyajit Ray’s Films.
- Published in:
- South Asian Studies, 2016, v. 32, n. 2, p. 144, doi. 10.1080/02666030.2016.1191806
- By:
- Publication type:
- Article
47
A Deconstructive Reading of Satyajit Ray's Pather Panchali (Song of the Little Road).
- Published in:
- Indian Review of World Literature in English, 2016, v. 12, n. 2, p. 32
- By:
- Publication type:
- Article
48
Tracing Bergman in Contemporary Indian Cinema: Philosophical Cross-Connections in Through a Glass Darkly, Ship of Theseus and Dear Molly.
- Published in:
- Popular Communication, 2021, v. 19, n. 2, p. 96, doi. 10.1080/15405702.2020.1868046
- By:
- Publication type:
- Article
49
Fire, Water and The Goddess: The Films of Deepa Mehta and Satyajit Ray as Critiques of Hindu Patriarchy.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
50
Darius Cooper: In Conversation with Charanjeet Kaur.
- Published in:
- 2015
- Publication type:
- Interview