Works matching Brian Eno
Results: 62
Voices, Violence and Meaning: Transformations of Speech Samples in Works by David Byrne, Brian Eno and Steve Reich.
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- Contemporary Music Review, 2014, v. 33, n. 2, p. 210, doi. 10.1080/07494467.2014.959277
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Figure and ground, image and sound: The digital medium in Brian Eno's Thursday Afternoon.
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- Soundtrack, 2016, v. 9, n. 1/2, p. 91, doi. 10.1386/ts.9.1-2.91_1
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Brian Eno und ‹Krautrock›.
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- AugenBlick, 2024, n. 90/91, p. 21
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Brian Eno und die Generative Musik.
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- AugenBlick, 2024, n. 90/91, p. 51
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Die Rückseite der Selbstregulation: Zur geschichtlichen Dimension von Brian Enos Pachelbel-Variationen.
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- AugenBlick, 2024, n. 90/91, p. 57
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Thinking inside the box: Brian Eno, music, movement and light.
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- Journal of Visual Art Practice, 2017, v. 16, n. 2, p. 104, doi. 10.1080/14702029.2016.1195073
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A Year With Swollen Appendices: Brian Eno's Diary.
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- Brooklyn Rail, 2021, p. N.PAG
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Brian Eno: Oblique Music: edited by Sean Albiez and David Pattie, London, Bloomsbury Academic, 2016, 297 pp., $30.95 (paperback), ISBN 978-1441155344.
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- 2021
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- Book Review
Playing the Gallery. Time, Space and the Digital in Brian Eno’s Recent Installation Music.
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- Oxford German Studies, 2017, v. 46, n. 3, p. 315, doi. 10.1080/00787191.2017.1345435
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Brian Eno: Music for Airports & In the Ocean (Featuring Bang on a Can All-Stars).
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- 2010
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- Arts/Entertainment Review
„Fangt an zu kochen – das Rezept folgt“ (nach Brian Eno). Aber das Setting, die Zutaten, der Appetit und die Experimentierlust sollten schon gegeben sein. (Post-)dramaturgische und spielästhetische Positionen und Diskurspotentiale.
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- Convivium. Germanistisches Jahrbuch Polen, 2021, p. 153, doi. 10.18778/2196-8403.2021.08
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BRIAN ENO.
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- Cv / Visual Arts Research, 2018, v. 254, p. 45
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BRIAN ENO: OBLIQUE MUSIC.
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- 2016
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- Book Review
Out of context: 'Control & Surrender' revisited and remixed.
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- Journal of Writing in Creative Practice, 2014, v. 7, n. 1, p. 111, doi. 10.1386/jwcp.7.1.111_1
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- Article
Another Green World?: Eno, Ireland and U2.
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- Popular Music History, 2014, v. 9, n. 2, p. 173, doi. 10.1558/pomh.v9i2.29457
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Reflection (2016).
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- AugenBlick, 2024, n. 90/91, p. 173
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Eno und die Zeit: Acht Besprechungen zu ausstehenden Untersuchungen.
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- AugenBlick, 2024, n. 90/91, p. 69
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Musik für das Anthropozän.
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- AugenBlick, 2024, n. 90/91, p. 33
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The World’s Worst Book Review.
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- Hyperrhiz, 2020, n. 22, p. 1, doi. 10.20415/hyp/022.r06
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Ambijentalna muzika kao praksa popularne umetnosti.
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- Art + Media: Journal of Art & Media Studies, 2016, n. 11, p. 143, doi. 10.25038/am.v0i11.155
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AI'S WALKING DOG.
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- Boston Review, 2024, p. 38
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MURALA ELECTRONICĂ.
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- Concept (2248-3756), 2018, v. 17/18, n. 2/1, p. 155
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Bad Mood: On Design and 'Empathy'.
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- Architectural Design, 2016, v. 86, n. 6, p. 96, doi. 10.1002/ad.2117
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Generative Musik.
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- AugenBlick, 2024, n. 90/91, p. 191
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Diskrete Musik.
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- AugenBlick, 2024, n. 90/91, p. 179
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Another Day on Earth (2005).
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- AugenBlick, 2024, n. 90/91, p. 171
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Spinner (1995, zus. mit Jah Wobble).
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- AugenBlick, 2024, n. 90/91, p. 169
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Wrong Way Up (1990).
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- AugenBlick, 2024, n. 90/91, p. 165
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Music for Airports (1978).
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- AugenBlick, 2024, n. 90/91, p. 155
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Before and after Science (1977).
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- AugenBlick, 2024, n. 90/91, p. 147
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Music for Films (1976).
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- AugenBlick, 2024, n. 90/91, p. 145
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Taking Tiger Mountain (By Strategy) (1974).
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- AugenBlick, 2024, n. 90/91, p. 141
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Here Come the Warm Jets (1974).
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- AugenBlick, 2024, n. 90/91, p. 135
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Eno und die RAF Frank Witzel im Gespräch.
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- AugenBlick, 2024, n. 90/91, p. 115
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Eno und die Originalität: Eine Gegenstimme von Frieder Butzmann.
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- AugenBlick, 2024, n. 90/91, p. 109
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Eno als Fern-Uni: Eine Rezeptionsreise mit Fritz Ostermayer.
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- AugenBlick, 2024, n. 90/91, p. 97
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Vorbemerkung.
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- AugenBlick, 2024, n. 90/91, p. 96
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Am Nullpunkt des Rock: «Low levels» mit Eno und Bowie.
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- AugenBlick, 2024, n. 90/91, p. 13
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Editorial.
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- AugenBlick, 2024, n. 90/91, p. 7
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Sons em segundo plano: as músicas de fundo como ferramentas transformadoras da percepção do espaço.
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- Arte & Ensaio, 2024, v. 30, n. 48, p. 94, doi. 10.60001/ae.n48.5
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Kültüralizm ve Çağdaş Sanatta Kent Olgusu Etrafında Gelişen Temalar.
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- Electronic Turkish Studies, 2021, v. 16, n. 3, p. 845, doi. 10.7827/TurkishStudies.49179
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"A little bit more mysterious…": Ambience and Art in the Dark.
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- M/C Journal, 2010, v. 13, n. 2, p. 1, doi. 10.5204/mcj.225
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- Article
Do you get the #vibe?: Zur postdigitalen Medienästhetik der Atmosphäre.
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- Forum Modernes Theater, 2023, v. 34, n. 1, p. 80, doi. 10.1353/fmt.2023.a908147
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Performing a difficult past in a museum: The History Museum of Bosnia and Herzegovina.
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- Slavia Meridionalis, 2019, v. 19, p. 1, doi. 10.11649/sm.1949
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Echographies from my life in the bush of ghosts.
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- Angelaki: Journal of the Theoretical Humanities, 2008, v. 13, n. 1, p. 85, doi. 10.1080/09697250802156083
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From the President.
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- Choral Journal, 2023, v. 64, n. 4, p. 3
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Pattern Interrupt.
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- Art & the Public Sphere, 2019, v. 8, n. 2, p. 195, doi. 10.1386/aps_00020_7
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Angels in Swindon: Public religion and ambient faith in England.
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- American Ethnologist, 2012, v. 39, n. 1, p. 155, doi. 10.1111/j.1548-1425.2011.01355.x
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RECORDINGS IN REVIEW.
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- 2009
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- Publication type:
- Arts/Entertainment Review
Essai – (French: ‘test’, ‘attempt’, ‘trial’, ‘try-out’).
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- Theatre, Dance & Performance Training, 2012, v. 3, n. 1, p. 131, doi. 10.1080/19443927.2012.665276
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- Article