John Barth's "The Floating Opera" and Southern Modernism of the 1950s.Published in:2008By:Haddox, Thomas F.Publication type:Essay
Setting the Mobius Strip Straight: John Barth's Once Upon a Time: A Floating Opera.Published in:1999By:BOWEN, ZACKPublication type:Literary Criticism
From displacement to compactness: John Barth's The Floating Opera.Published in:1991By:Couturier, MauricePublication type:Literary Criticism
ONCE UPON A TIME: A FLOATING OPERA JOHN BARTH'S DEATH-DEFYING ART OF WRITING.Published in:Kritika Kultura, 2012, n. 19, p. 361, doi. 10.13185/KK2012.01918By:Hashemi, Mahsa;Pourgiv, FaridehPublication type:Article
Absence of absolutes: The reconciled artist in John Barth's the floating opera.Published in:Studia Neophilologica, 1975, v. 47, n. 1, p. 53, doi. 10.1080/00393277508587611By:Aarseth, IngerPublication type:Article
John Barth's The Sot-Weed Factor: The Pitfalls of Mythopoesis.Published in:1976By:Puetz, ManfredPublication type:Literary Criticism
The Confessions of Todd Andrews: Double-Directed Discourse in "The Floating Opera."Published in:2004By:Conti, ChrisPublication type:Literary Criticism
The Excremental Vision of Barth's Todd Andrews.Published in:1976By:Korkowski, EugenePublication type:Literary Criticism
Todd Andrews, Ontological Insecurity, and The Floating Opera.Published in:1976By:Harris, Charles B.Publication type:Literary Criticism
Desire and Disease: The Psychological Pattern of The Floating Opera.Published in:1976By:Martin, Dennis M.Publication type:Literary Criticism