La vie qui bat: Steve Reich's Drumming and Dance Choreography.
- Published in:
- Circuit: Musiques Contemporaines, 2017, v. 27, n. 2, p. 27, doi. 10.7202/1040875ar
- By:
- Publication type:
- Article
Works matching Steve Reich
Results: 84
1
2
STEVE REICH’S STYLE AND COMPONISTIC CONCEPTS REFLECTED IN TEHILLIM SCORE.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, p. 327, doi. 10.24193/subbmusica.2023.spiss2.21
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- Publication type:
- Article
3
TWO FACES OF MYSTIFICATION: THE REPRESENTATION OF THE HOLOCAUST IN ARNOLD SCHOENBERG'S A SURVIVOR FROM WARSAW AND STEVE REICH'S DIFFERENT TRAINS.
- Published in:
- Muzikologija, 2022, n. 32, p. 183, doi. 10.2298/MUZ2232183M
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- Publication type:
- Article
4
'New Chaconnes for Old?' Steve Reich's Sketches for Variations for Winds, Strings and Keyboards, with Some Thoughts on Their Significance for the Analysis of the Composer's Harmonic Language in the Late 1970s.
- Published in:
- Contemporary Music Review, 2017, v. 36, n. 5, p. 406, doi. 10.1080/07494467.2017.1401365
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- Publication type:
- Article
5
Voices, Violence and Meaning: Transformations of Speech Samples in Works by David Byrne, Brian Eno and Steve Reich.
- Published in:
- Contemporary Music Review, 2014, v. 33, n. 2, p. 210, doi. 10.1080/07494467.2014.959277
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- Publication type:
- Article
6
Expressive Timbre and Timing in Rhythmic Performance: Analysis of Steve Reich’s Clapping Music.
- Published in:
- Journal of New Music Research, 2015, v. 44, n. 1, p. 11, doi. 10.1080/09298215.2014.935736
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- Publication type:
- Article
7
Steve Reich's Clapping Music, iPhone ed., v. 1.0.4. Amphio Limited, London Sinfonietta, and Queen Mary University of London, 2017./Third Coast Percussion: The Music of Steve Reich, iPhone ed., v. 1.0.7. Joseph Gender and Third Coast Percussion, 2017.
- Published in:
- 2018
- By:
- Publication type:
- Product Review
8
Inter-subject Correlation While Listening to Minimalist Music: A Study of Electrophysiological and Behavioral Responses to Steve Reich's Piano Phase.
- Published in:
- Frontiers in Neuroscience, 2021, v. 15, p. 1, doi. 10.3389/fnins.2021.702067
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- Publication type:
- Article
9
"Come Out to Show Them": Speech and Ambivalence in the Work of Steve Reich and Glenn Ligon.
- Published in:
- Art Journal, 2019, v. 78, n. 4, p. 24, doi. 10.1080/00043249.2019.1684107
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- Publication type:
- Article
10
The Science Fiction Music of Steve Reich: Three Tales.
- Published in:
- 2015
- By:
- Publication type:
- Performance Review
11
Modern Folk Tales and Ancient Stories: A Conversation With Beryl Korot and Steve Reich.
- Published in:
- 1999
- By:
- Publication type:
- Interview
12
What makes rhythms hard to perform? An investigation using Steve Reich’s Clapping Music.
- Published in:
- PLoS ONE, 2018, v. 13, n. 10, p. 1, doi. 10.1371/journal.pone.0205847
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- Publication type:
- Article
13
Steve Reich and Hebrew cantillation.
- Published in:
- 1997
- By:
- Publication type:
- Editorial
14
Musical symbols of the ephemera - eternal dichotomy in the final movement of Tehillim by Steve Reich.
- Published in:
- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2017, v. 10, p. 17
- By:
- Publication type:
- Article
15
Steve Reich's Signature Rhythm and an Introduction to Rhythmic Qualities.
- Published in:
- Music Theory Spectrum, 2021, v. 43, n. 1, p. 74, doi. 10.1093/mts/mtaa017
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- Publication type:
- Article
16
Revelation in Reproduction: Walter Benjamin's Prophecy and Steve Reich's Process.
- Published in:
- Monatshefte, 2020, v. 112, n. 2, p. 193, doi. 10.3368/m.112.2.193
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- Publication type:
- Article
17
“Fun, Yes, but Music?” Steve Reich and the San Francisco Bay Area's Cultural Nexus, 1962–65.
- Published in:
- Journal of the Society for American Music, 2012, v. 6, n. 3, p. 315, doi. 10.1017/S175219631200020X
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- Publication type:
- Article
18
How to Hear What Is Not Heard: Glenn Ligon, Steve Reich, and the Audible Past.
- Published in:
- Grey Room, 2018, v. 70, p. 54, doi. 10.1162/GREY_a_00234
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- Publication type:
- Article
19
Structure as Process: Anne Teresa de Keersmaeker's Fase (1982) and Steve Reich's Music.
- Published in:
- Dance Chronicle, 2014, v. 37, n. 1, p. 47, doi. 10.1080/01472526.2014.877273
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- Publication type:
- Article
20
Beat-Class Modulation in Steve Reich's Music.
- Published in:
- Music Theory Spectrum, 2003, v. 25, n. 2, p. 275, doi. 10.1525/mts.2003.25.2.275
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- Publication type:
- Article
21
Steve Reich: Writings on Music 1965-2000 (Book).
- Published in:
- 2004
- By:
- Publication type:
- Book Review
22
REPETITIVE MINIMALISM IN THE WORK OF STEVE REICH.
- Published in:
- REVART: Specialized Review of Theory & Critique of Arts, 2017, n. 29, p. 45
- By:
- Publication type:
- Article
23
Steve Reich, Richard Serra, and the Discovery of Process.
- Published in:
- 2017
- By:
- Publication type:
- Music Review
24
“Some more lemon?…” A conversation with Steve Reich.
- Published in:
- Contemporary Music Review, 1995, v. 12, n. 2, p. 65, doi. 10.1080/07494469500640181
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- Publication type:
- Article
25
Movimento, som e imagem: A poética de Anne Teresa De Keersmaeker e Thierry De Mey.
- Published in:
- Revista Vortex, 2019, v. 7, n. 3, p. 1
- By:
- Publication type:
- Article
26
'While This Happened Here, That Happened There': Different Trains, Musical Document, and Musical Reality.
- Published in:
- International Review of the Aesthetics & Sociology of Music, 2021, v. 52, n. 1, p. 23
- By:
- Publication type:
- Article
27
György Ligeti and the Aka Pygmies Project.
- Published in:
- 2006
- By:
- Publication type:
- Abstract
28
Audio-visual moiré patterns: Phasing in Guy Sherwin's Optical Sound films.
- Published in:
- Soundtrack, 2014, v. 7, n. 1, p. 47, doi. 10.1386/st.7.1.47_1
- By:
- Publication type:
- Article
29
Sondheim's vamps and Africanist musical practice.
- Published in:
- Studies in Musical Theatre, 2023, v. 17, n. 3, p. 157, doi. 10.1386/smt_00126_1
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- Publication type:
- Article
30
Rethinking Reich.
- Published in:
- Music Theory Online, 2021, v. 27, n. 1, p. 88, doi. 10.30535/mto.27.1.0
- By:
- Publication type:
- Article
31
'English is the Only Language Which I Speak': New Narratives in Reich's My Name Is (1967).
- Published in:
- Contemporary Music Review, 2019, v. 38, n. 3/4, p. 247, doi. 10.1080/07494467.2019.1596634
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- Publication type:
- Article
32
Generative Musik.
- Published in:
- AugenBlick, 2024, n. 90/91, p. 191
- Publication type:
- Article
33
The Influence of Eastern and Western Cultural Traditions on the Form Creation Processes in Avant-Garde Composers's Creative Work.
- Published in:
- Musicology & Cultural Science / Musikismc'odneoba da Kulturologia, 2015, v. 11, n. 1, p. 50
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- Publication type:
- Article
34
My life with technology.
- Published in:
- Contemporary Music Review, 1996, v. 13, n. 2, p. 13, doi. 10.1080/07494469600640031
- By:
- Publication type:
- Article
35
Some thoughts about performance.
- Published in:
- Contemporary Music Review, 1992, v. 7, n. 1, p. 39, doi. 10.1080/07494469200640221
- By:
- Publication type:
- Article
36
MUSICA FIBONACCIANA: AESTHETIC AND PRACTICAL APPROACH.
- Published in:
- New Sound: International Magazine for Music, 2017, n. 50, p. 70, doi. 10.5937/newso1750070p
- By:
- Publication type:
- Article
37
MONSTERIZATION OF SINGING: POLITICS OF VOCAL EXISTENCE.
- Published in:
- New Sound: International Magazine for Music, 2010, n. 36, p. 101
- By:
- Publication type:
- Article
38
Neural entrainment is associated with subjective groove and complexity for performed but not mechanical musical rhythms.
- Published in:
- Experimental Brain Research, 2019, v. 237, n. 8, p. 1981, doi. 10.1007/s00221-019-05557-4
- By:
- Publication type:
- Article
39
MUSIC REVIEWS.
- Published in:
- 2020
- By:
- Publication type:
- Interview
40
Auditory space: emergent modes of apprehension and historical representations in Three Tales.
- Published in:
- International Journal of Performance Arts & Digital Media, 2005, v. 1, n. 3, p. 207, doi. 10.1386/padm.1.3.207/1
- By:
- Publication type:
- Article
41
Cuts.
- Published in:
- Textual Practice, 2022, v. 36, n. 5, p. 638, doi. 10.1080/0950236X.2022.2071002
- By:
- Publication type:
- Article
42
LEARNING FROM MASTERS OF MUSIC CREATIVITY.
- Published in:
- Philosophy of Music Education Review, 2007, v. 15, n. 2, p. 93, doi. 10.2979/PME.2007.15.2.93
- By:
- Publication type:
- Article
43
A Methodological Framework for Assessing Social Presence in Music Interactions in Virtual Reality.
- Published in:
- Frontiers in Psychology, 2021, v. 12, p. 1, doi. 10.3389/fpsyg.2021.663725
- By:
- Publication type:
- Article
44
Teaching permutations through rhythm patterns.
- Published in:
- Journal of Mathematics & the Arts, 2009, v. 3, n. 3, p. 143, doi. 10.1080/17513470903167707
- By:
- Publication type:
- Article
45
Fishing for complements with chord, scale, and rhythm nets.
- Published in:
- Journal of Mathematics & Music, 2023, v. 17, n. 3, p. 452, doi. 10.1080/17459737.2022.2164627
- By:
- Publication type:
- Article
46
New Music.
- Published in:
- Montessori Life, 2005, v. 17, n. 3, p. 47
- Publication type:
- Article
47
Music and Silence.
- Published in:
- Value Inquiry Book Series, 2017, v. 308, p. 27, doi. 10.1163/9789004352582_005
- Publication type:
- Article
48
Reich in Blackface: Oh Dem Watermelons and Radical Minstrelsy in the 1960s.
- Published in:
- 2011
- By:
- Publication type:
- Essay
49
Four Musical Minimalists: La Monte Young (book).
- Published in:
- 2002
- By:
- Publication type:
- Book Review
50
Dolly, Bikini and syncopated angst.
- Published in:
- Nature, 2002, v. 419, n. 6905, p. 323, doi. 10.1038/419323b
- Publication type:
- Article