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'Why þat yee meeued been / can I nat knowe': Autobiography, Convention, and Discerning Doublenesse in Thomas Hoccleve's The Series.
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- Neophilologus, 2017, v. 101, n. 3, p. 479, doi. 10.1007/s11061-016-9515-3
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- Article
Las muertes en torno a los Reyes Católicos en el Romancero trovadoresco y tradicional.
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- Neophilologus, 2017, v. 101, n. 3, p. 399, doi. 10.1007/s11061-016-9517-1
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- Article
Montaigne's Swerve: The Geometry of Parallels in the Essays and Other Writings.
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- Neophilologus, 2017, v. 101, n. 3, p. 351, doi. 10.1007/s11061-017-9519-7
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L'intrigue du gouverneur, le gouvernement d'une intrigante? Mme de Genlis et Mme de Merteuil dans les Liaisons Dangereuses de Laclos.
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- Neophilologus, 2017, v. 101, n. 3, p. 375, doi. 10.1007/s11061-017-9520-1
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The Anacoluthon in Le Rouge et le noir: Cutting Cords and Tying Knots.
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- Neophilologus, 2017, v. 101, n. 3, p. 387, doi. 10.1007/s11061-017-9521-0
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Reading the Racinian Kaleidoscope through the Colour Red in Phèdre.
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- Neophilologus, 2017, v. 101, n. 3, p. 367, doi. 10.1007/s11061-017-9522-z
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Unferth's Ambiguity and the Trivialization of Germanic Legend.
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- Neophilologus, 2017, v. 101, n. 3, p. 439, doi. 10.1007/s11061-017-9523-y
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What's the Catch? The Nexus of Absurdist Humour, Incongruity, and Characterisation in Joseph Heller's Catch- 22.
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- Neophilologus, 2017, v. 101, n. 3, p. 495, doi. 10.1007/s11061-017-9524-x
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Reading the Allegory of St. Erkenwald.
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- Neophilologus, 2017, v. 101, n. 3, p. 455, doi. 10.1007/s11061-017-9525-9
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The Bitter and Biting Humor of Sarcasm in Medieval and Early Modern Literature.
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- Neophilologus, 2017, v. 101, n. 3, p. 417, doi. 10.1007/s11061-017-9526-8
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- Article
A Key to The Land of Cokaygne: Satire or Parody?
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- Neophilologus, 2017, v. 101, n. 3, p. 469, doi. 10.1007/s11061-016-9512-6
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- Article