Found: 22
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Violence, dandyism and the literary self-portraiture of Quentin Crisp.
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- Neohelicon, 2017, v. 44, n. 1, p. 199, doi. 10.1007/s11059-016-0361-x
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- Article
Gambling as a literary subject in Frank Hardy's work.
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- Neohelicon, 2017, v. 44, n. 1, p. 257, doi. 10.1007/s11059-016-0362-9
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- Article
What matters for women: discovering Irish women through Maeve Binchy's 'All That Matters'.
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- Neohelicon, 2017, v. 44, n. 1, p. 245, doi. 10.1007/s11059-016-0363-8
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- Article
Street names in Patrick Modiano's work: La Place de l'étoile and the case of rue Lauriston.
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- Neohelicon, 2017, v. 44, n. 1, p. 217, doi. 10.1007/s11059-017-0364-2
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- Article
Contemporary Native American realities: in search of literary and cultural sovereignty.
- Published in:
- 2017
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- Publication type:
- Editorial
The over-consumption of Native American imagery and the ongoing results for contemporary reality.
- Published in:
- Neohelicon, 2017, v. 44, n. 1, p. 89, doi. 10.1007/s11059-017-0367-z
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- Article
To Ojibwe country and back: Books and Islands in Ojibwe Country by Louise Erdrich.
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- Neohelicon, 2017, v. 44, n. 1, p. 131, doi. 10.1007/s11059-017-0368-y
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- Article
NO LOGO! Visual sovereignty and the Washington Redsk*ns debate.
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- Neohelicon, 2017, v. 44, n. 1, p. 99, doi. 10.1007/s11059-017-0369-x
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- Article
California Forgets. Luna Remembers: Sensing contemporary Native American realities in James Luna's performance Native Stories: For Fun, Profit & Guilt.
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- Neohelicon, 2017, v. 44, n. 1, p. 115, doi. 10.1007/s11059-017-0370-4
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- Article
Fact versus fiction in Rudy Wiebe's 'Where is the Voice Coming from'.
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- Neohelicon, 2017, v. 44, n. 1, p. 169, doi. 10.1007/s11059-017-0371-3
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- Article
Ethnic identity in Thomas King's Green Grass, Running Water.
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- Neohelicon, 2017, v. 44, n. 1, p. 147, doi. 10.1007/s11059-017-0372-2
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- Article
Healing and recuperation in Louise Erdrich's story 'The Bingo Van'.
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- Neohelicon, 2017, v. 44, n. 1, p. 161, doi. 10.1007/s11059-017-0373-1
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- Publication type:
- Article
Part-time identities and full-time narration as an absolution in Alexie's The Absolutely True Diary of a Part- Time Indian.
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- Neohelicon, 2017, v. 44, n. 1, p. 189, doi. 10.1007/s11059-017-0374-0
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- Article
The devil's language of Marilyn Dumont.
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- Neohelicon, 2017, v. 44, n. 1, p. 177, doi. 10.1007/s11059-017-0375-z
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- Article
Editorial to: Reading wide, writing wide in the digital age.
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- 2017
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- Publication type:
- Editorial
The authoring software tool in digital literature as a vector of the global imaginary.
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- Neohelicon, 2017, v. 44, n. 1, p. 5, doi. 10.1007/s11059-017-0377-x
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- Article
Digital Literatures circulation: testing post-Bourdieu theories.
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- Neohelicon, 2017, v. 44, n. 1, p. 15, doi. 10.1007/s11059-017-0378-9
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- Publication type:
- Article
Postdigital synchronicity and syntopy: the manipulation of universal codes, and the fully automated avantgarde.
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- Neohelicon, 2017, v. 44, n. 1, p. 27, doi. 10.1007/s11059-017-0379-8
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- Publication type:
- Article
Poetic fingerprints: digital literature's countercultural and metamedial integration of vision and touch.
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- Neohelicon, 2017, v. 44, n. 1, p. 55, doi. 10.1007/s11059-017-0380-2
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- Article
GIS and telescopic reading: between spatial and digital humanities.
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- Neohelicon, 2017, v. 44, n. 1, p. 65, doi. 10.1007/s11059-017-0381-1
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- Article
Writing-reading devices: intermediations.
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- Neohelicon, 2017, v. 44, n. 1, p. 41, doi. 10.1007/s11059-017-0382-0
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- Article
Postnational homelands: Migration and memory in two novels of Taiwan.
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- Neohelicon, 2017, v. 44, n. 1, p. 229, doi. 10.1007/s11059-016-0360-y
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- Article