Works matching IS 03244652 AND DT 2013 AND VI 40 AND IP 2
Results: 19
Speculum.
- Published in:
- Neohelicon, 2013, v. 40, n. 2, p. 559, doi. 10.1007/s11059-013-0207-8
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- Article
“I’ve a feeling we’re not in Kansas anymore”: passing from one world to another in Hollywood musicals.
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- Neohelicon, 2013, v. 40, n. 2, p. 449, doi. 10.1007/s11059-013-0201-1
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La mort ou “la migration sans retour”? Une lecture thanatico-psychologique des romans de Maryse Conde.
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- Neohelicon, 2013, v. 40, n. 2, p. 655, doi. 10.1007/s11059-013-0160-6
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Ergasterium.
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- Neohelicon, 2013, v. 40, n. 2, p. 507, doi. 10.1007/s11059-013-0206-9
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- Article
Auf dem Weg in die bessere Zukunft: Victor Hugo (1802–1885) und die „Vereinigten Staaten von Europa“.
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- Neohelicon, 2013, v. 40, n. 2, p. 581, doi. 10.1007/s11059-012-0150-0
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Der Briefroman „Une si longue lettre“ von Mariama Ba und Goethes Stück „Iphigenie auf Tauris“: über Geschlechterdifferenzen aus literaturtheoretischer Sicht.
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- Neohelicon, 2013, v. 40, n. 2, p. 625, doi. 10.1007/s11059-013-0161-5
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From one world to another: topics in transworld travel: Guest-edited by Françoise Lavocat and Kai Mikkonen.
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- Neohelicon, 2013, v. 40, n. 2, p. 397, doi. 10.1007/s11059-013-0200-2
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- Article
The semiotic significance of Chinese space.
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- Neohelicon, 2013, v. 40, n. 2, p. 543, doi. 10.1007/s11059-013-0199-4
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The monster outside and within: medieval literary reflections on ethical epistemology. From <i>Beowulf</i> to Marie de France, the <i>Nibelungenlied</i>, and Thüring von Ringoltingen’s <i>Melusine</i>.
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- Neohelicon, 2013, v. 40, n. 2, p. 521, doi. 10.1007/s11059-013-0198-5
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Crossing the frontier to a fictional world: the way to Siberia in nineteenth century French popular literature.
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- Neohelicon, 2013, v. 40, n. 2, p. 405, doi. 10.1007/s11059-013-0197-6
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The enchanted arrival: passage into West Africa in the travelogues of Blaise Cendrars and André Gide.
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- Neohelicon, 2013, v. 40, n. 2, p. 489, doi. 10.1007/s11059-013-0203-z
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Traveling possible words in graphic narratives: The example of <i>Watchmen</i> (Alan Moore and Dave Gibbons)
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- Neohelicon, 2013, v. 40, n. 2, p. 461, doi. 10.1007/s11059-013-0205-x
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Bertolt Brecht: the naturalist, the theatricalist, and the dramatist-as-director.
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- Neohelicon, 2013, v. 40, n. 2, p. 637, doi. 10.1007/s11059-012-0157-6
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Crossing the borders of fiction. Do non-existent objects have bodies?
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- Neohelicon, 2013, v. 40, n. 2, p. 431, doi. 10.1007/s11059-013-0202-0
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Paroles disloquées: Les enjeux d’une écriture fantômatique.
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- Neohelicon, 2013, v. 40, n. 2, p. 509, doi. 10.1007/s11059-013-0210-0
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Foreword: From one world to another: topics in transworld travel.
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- Neohelicon, 2013, v. 40, n. 2, p. 399, doi. 10.1007/s11059-013-0209-6
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<i>2666</i> by Roberto Bolaño: fiction as an attempt to travel between worlds.
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- Neohelicon, 2013, v. 40, n. 2, p. 475, doi. 10.1007/s11059-013-0208-7
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Constellating world literature.
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- Neohelicon, 2013, v. 40, n. 2, p. 561, doi. 10.1007/s11059-012-0158-5
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The Mediterranean as a geopolitical and geopoetic border region: possible worlds beyond the border in fiction.
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- Neohelicon, 2013, v. 40, n. 2, p. 417, doi. 10.1007/s11059-013-0204-y
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