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Introduction to Foley sound.
- Published in:
- 2024
- By:
- Publication type:
- Editorial
"PRI CHEM TUT TSVETAEVA?": THE SOUNDTRACK OF IRONIIA SUD'BY.
- Published in:
- Slavic & East European Journal, 2024, v. 68, n. 2, p. 233
- By:
- Publication type:
- Article
THE UNBEARABLE BLANDNESS OF BEING: THE EVERYDAY AND MUZAK IN BARTON FINK AND FARGO.
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 38
- By:
- Publication type:
- Article
Variability modelling for audio events detection in movies.
- Published in:
- Multimedia Tools & Applications, 2015, v. 74, n. 4, p. 1143, doi. 10.1007/s11042-014-2038-7
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- Publication type:
- Article
Mining movie archives for song sequences.
- Published in:
- Multimedia Tools & Applications, 2014, v. 69, n. 2, p. 359, doi. 10.1007/s11042-012-1021-4
- By:
- Publication type:
- Article
Elephants in the Eye of Gus Van Sant: World Modeling in Elephant.
- Published in:
- Discourse: Journal for Theoretical Studies in Media & Culture, 2013, v. 35, n. 1, p. 101, doi. 10.13110/discourse.35.1.0101
- By:
- Publication type:
- Article
Semiotic Analysis of the Meaning of Social Support in the Lyrics of the Song Pelukku Untuk Pelikmu by Fiersa Besari.
- Published in:
- JILTECH: Journal International of Lingua & Technology, 2023, v. 2, n. 2, p. 105, doi. 10.55849/jiltech.v2i2.459
- By:
- Publication type:
- Article
Dis/joint: Unification of Sound, Music, Narrative, and Animation in Liz and the Blue Bird.
- Published in:
- 2021
- By:
- Publication type:
- Film/Television Criticism
Hyperbole Expression in "Cinderella" 2021 Selected Soundtrack Songs.
- Published in:
- IDEAS: Journal on English Language Teaching & Learning, Linguistics & Literature, 2023, v. 11, n. 2, p. 1202, doi. 10.24256/ideas.v11i2.3880
- By:
- Publication type:
- Article
Soundtrack Music Videos: The Use of Music Videos as a Tool for Promoting Films.
- Published in:
- Communication & Society, 2021, v. 34, n. 3, p. 47, doi. 10.15581/003.34.3.47-60
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- Publication type:
- Article
Pillow Girl.
- Published in:
- Animation Practice, Process & Production, 2011, v. 1, n. 2, p. 209, doi. 10.1386/ap3.1.2.209_1
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- Publication type:
- Article
Unplugging the Matrix.
- Published in:
- New Soundtrack, 2018, v. 8, n. 1, p. 78, doi. 10.3366/sound.2018.0119
- By:
- Publication type:
- Article
Shepard Tones and Production of Meaning in Recent Films: Lucrecia Martel's Zama and Christopher Nolan's Dunkirk.
- Published in:
- New Soundtrack, 2018, v. 8, n. 2, p. 135, doi. 10.3366/sound.2018.0126
- By:
- Publication type:
- Article
Approaches to Sound Design: Murch and Burtt.
- Published in:
- New Soundtrack, 2018, v. 8, n. 2, p. 169, doi. 10.3366/sound.2018.0129
- By:
- Publication type:
- Article
Symphonies of Noise: The Urban Soundscape in Rouben Mamoulian's Applause, City Lights, Dr Jekyll and Mr Hyde and Love Me Tonight.
- Published in:
- New Soundtrack, 2018, v. 8, n. 2, p. 91, doi. 10.3366/sound.2018.0123
- By:
- Publication type:
- Article
Engagement versus Immersion.
- Published in:
- New Soundtrack, 2018, v. 8, n. 1, p. 73, doi. 10.3366/sound.2018.0118
- By:
- Publication type:
- Article
Sounds of Slowness: Ambience and Absurd Humour in Slow Sound Design.
- Published in:
- New Soundtrack, 2018, v. 8, n. 1, p. 31, doi. 10.3366/sound.2018.0115
- By:
- Publication type:
- Article
Editorial.
- Published in:
- New Soundtrack, 2017, v. 7, n. 2, p. 93, doi. 10.3366/sound.2017.0101
- Publication type:
- Article
Front matter.
- Published in:
- New Soundtrack, 2017, v. 7, n. 2, p. 1, doi. 10.3366/sound.2017.0100
- Publication type:
- Article
Cartographic Soundtrack: Voice, Sound and Music in Birdman.
- Published in:
- New Soundtrack, 2017, v. 7, n. 2, p. 137, doi. 10.3366/sound.2017.0105
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- Publication type:
- Article
Back matter.
- Published in:
- New Soundtrack, 2017, v. 7, n. 2, p. -1, doi. 10.3366/sound.2017.0111
- Publication type:
- Article
Environmental Sound and Soundscape Composition in Landscape and Nature Documentaries.
- Published in:
- New Soundtrack, 2017, v. 7, n. 2, p. 172, doi. 10.3366/sound.2017.0109
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- Publication type:
- Article
Sound, Space, Gravity: A Kaleidoscopic Hearing (part I).
- Published in:
- New Soundtrack, 2016, v. 6, n. 1, p. 1, doi. 10.3366/sound.2016.0079
- By:
- Publication type:
- Article
Audio Imagineering: Utilising the Four Sound Areas Framework for Emotive Sound Design within Contemporary Audio Post-production.
- Published in:
- New Soundtrack, 2016, v. 6, n. 1, p. 77, doi. 10.3366/sound.2016.0084
- By:
- Publication type:
- Article
The Soundscapes of Conflict: A transcript of a talk by Nadim Mishlawi and Rana Eid presented at the School of Sound, London, on 10 April 2015.
- Published in:
- New Soundtrack, 2015, v. 5, n. 2, p. 153, doi. 10.3366/sound.2015.0076
- By:
- Publication type:
- Article
The auditory spectacle: designing sound for the 'dubbing era' of Indian cinema.
- Published in:
- New Soundtrack, 2015, v. 5, n. 1, p. 55, doi. 10.3366/sound.2015.0068
- By:
- Publication type:
- Article
Editorial.
- Published in:
- New Soundtrack, 2015, v. 5, n. 1, p. 1, doi. 10.3366/sound.2015.0064
- Publication type:
- Article
The sound of Agnès Varda.
- Published in:
- New Soundtrack, 2014, v. 4, n. 1, p. 29, doi. 10.3366/sound.2014.0050
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- Publication type:
- Article
Emil und die Detektive: Early German sound cinema aesthetic.
- Published in:
- New Soundtrack, 2014, v. 4, n. 1, p. 41, doi. 10.3366/sound.2014.0051
- By:
- Publication type:
- Article
The believability of redubs and post-synchronised voices: Merging new voices with existing audio-visuals.
- Published in:
- New Soundtrack, 2014, v. 4, n. 1, p. 59, doi. 10.3366/sound.2014.0052
- By:
- Publication type:
- Article
Editorial.
- Published in:
- New Soundtrack, 2013, v. 3, n. 2, p. v, doi. 10.3366/sound.2013.0039
- Publication type:
- Article
Scoring film: The New Soundtrack Interview with Neil Brand.
- Published in:
- New Soundtrack, 2014, v. 4, n. 1, p. 1, doi. 10.3366/sound.2014.0048
- Publication type:
- Article
Altered States, Altered Sounds: An investigation of how 'subjective states' are signified by the soundtrack of dream sequences in narrative fiction cinema.
- Published in:
- New Soundtrack, 2013, v. 3, n. 2, p. 175, doi. 10.3366/sound.2013.0045
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- Publication type:
- Article
The sounds of space: Social space and social listening (Part II).
- Published in:
- New Soundtrack, 2014, v. 4, n. 1, p. 15, doi. 10.3366/sound.2014.0049
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- Publication type:
- Article
Listen to Nice.
- Published in:
- New Soundtrack, 2013, v. 3, n. 2, p. 89, doi. 10.3366/sound.2013.0040
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- Publication type:
- Article
Knocking at the door of cinematic artifice: Dolby Atmos, challenges and opportunities.
- Published in:
- New Soundtrack, 2013, v. 3, n. 2, p. 107, doi. 10.3366/sound.2013.0041
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- Publication type:
- Article
Landscape, soundscape, taskscape in the films The Hurt Locker (2008), Katalin Varga (2009).
- Published in:
- New Soundtrack, 2013, v. 3, n. 2, p. 123, doi. 10.3366/sound.2013.0042
- By:
- Publication type:
- Article
What do we hear? The pluralism of sound design in Hollywood sound production.
- Published in:
- New Soundtrack, 2013, v. 3, n. 2, p. 137, doi. 10.3366/sound.2013.0043
- By:
- Publication type:
- Article
'The Soundtrack': The School of Sound Summer Workshop at the ifs internationale filmschule köln.
- Published in:
- New Soundtrack, 2013, v. 3, n. 1, p. 81, doi. 10.3366/sound.2013.0037
- By:
- Publication type:
- Article
The 'clap'.
- Published in:
- New Soundtrack, 2013, v. 3, n. 1, p. 17, doi. 10.3366/sound.2013.0032
- By:
- Publication type:
- Article
The sounds of space: Social space and social listening (Part 1).
- Published in:
- New Soundtrack, 2013, v. 3, n. 2, p. 159, doi. 10.3366/sound.2013.0044
- By:
- Publication type:
- Article
Sound at the centre: An interview with Peter Strickland.
- Published in:
- 2013
- By:
- Publication type:
- Interview
The alienated male: Silence and the soundtrack in New Hollywood.
- Published in:
- New Soundtrack, 2012, v. 2, n. 2, p. 143, doi. 10.3366/sound.2012.0035
- By:
- Publication type:
- Article
Bringing vinyl into the digital domain: Aesthetics in David Lynch's Inland Empire (2006).
- Published in:
- New Soundtrack, 2012, v. 2, n. 2, p. 97, doi. 10.3366/sound.2012.0032
- By:
- Publication type:
- Article
The sound design of cinematic voices.
- Published in:
- New Soundtrack, 2012, v. 2, n. 2, p. 127, doi. 10.3366/sound.2012.0034
- By:
- Publication type:
- Article
Voicings: a Ventriloquial Strategy to Politicise the Space Between Speaker and the Scripted Utterance.
- Published in:
- New Soundtrack, 2012, v. 2, n. 1, p. 51, doi. 10.3366/sound.2012.0026
- By:
- Publication type:
- Article
Soundtrack 'Design' in Hitchcock's Thriller Sextet.
- Published in:
- New Soundtrack, 2011, v. 1, n. 2, p. 157, doi. 10.3366/sound.2011.0017
- By:
- Publication type:
- Article
Screenwriting for Sound.
- Published in:
- New Soundtrack, 2011, v. 1, n. 2, p. 103, doi. 10.3366/sound.2011.0013
- By:
- Publication type:
- Article
EDITORIAL.
- Published in:
- New Soundtrack, 2011, v. 1, n. 2, p. v, doi. 10.3366/sound.2011.0012
- Publication type:
- Article
AUDIO DESCRIBING THE HORROR GENRE: "CREATING FEAR IN THE VIEWER".
- Published in:
- Trabalhos em Lingüística Aplicada, 2023, v. 62, n. 2, p. 274, doi. 10.1590/01031813v62220238674210
- By:
- Publication type:
- Article