We found a match
Your institution may have rights to this item. Sign in to continue.
- Title
En busca del tiempo perdido: la bipolaridad narrativa de Wong Kar-wai en 2046.
- Authors
Canet, Fernando
- Abstract
The intention of this text entails the need to immerse oneself within the interior of the cinematographic proposal directed by the film-maker Wong Kar-wai —we are referring to the film that came out in 2004 with the title: 2046--with the aim of discovering the hidden meanings of this film. To this end we will approach the film text from a narratological point of view, centering principally on the formal aspects that this Asian film-maker deploys, as proof of his own particular style when telling stories through cinematographic language. Thus, essentially we will be exploring the analysis of the narrative mode, voice and time; defending the hypothesis of the dichotomous handling of these elements on the part of Wong Kar-wai, as the mark of a very personal style reached after a process of maturity which embraces almost twenty-odd years of film-making.
- Subjects
FILM criticism; 2046 (Film); WONG Kar-Wai, 1958-; NARRATIVE paradigm theory; AESTHETICS of motion pictures; TIME in motion pictures
- Publication
Zer: Journal of Communication Studies / Revista de Estudios de Comunicacion / Komunikazio Ikasketen Aldizkaria, 2008, Vol 13, Issue 24, p237
- ISSN
1137-1102
- Publication type
Article