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- Title
LYRICAL SOCIABILITY: THE SOCIAL CONTRACT AND MARY SHELLEY'S FRANKENSTEIN.
- Authors
BEENSTOCK, ZOE
- Abstract
As a sociable being that is barred from society, Frankenstein's monster presents a sustained engagement with a major dilemma of eighteenth-century philosophy: whether individualism can produce sociability. Through the bodies of the monster and his planned partner, Shelley constructs a dark allegory of Rousseau's social contract theory, which draws on his use of the lyric in The Confessions. With its vague causality and tolerance of contradiction, Shelley suggests that the lyric provides a space for exploring the fractures, inconsistencies, and philosophical underpinnings of a social theory that protects individuals from each other instead of bringing them together.
- Subjects
FRANKENSTEIN'S monster (Fictional character); SOCIAL contract; INDIVIDUALISM; ROUSSEAU, Jean-Jacques, 1712-1778; SHELLEY, Mary Wollstonecraft, 1797-1851
- Publication
Philosophy & Literature, 2015, Vol 39, Issue 2, p406
- ISSN
0190-0013
- Publication type
Article
- DOI
10.1353/phl.2015.0052