An essay is presented on glass artist Klaus Moje. Topics covered include his decision to shift from the vessel format to wall panels in the mid-1990s, his move to start working on the geometric fields series in 2006, with the first piece "Untitled 2" being held by the Chrystler Museum of Art in Norfolk, Virginia as of 2015, and his focus on colour and geometry, particularly geometric abstraction from the U.S. Also mentioned is Moje's affinity with the late British modernist Ben Nicholson.