We found a match
Your institution may have access to this item. Find your institution then sign in to continue.
- Title
El código de producción de Hollywood (1930-1966): censura, marcos (frames) y hegemonía.
- Authors
de Austria Giménez de Aragón, Alfonso Maximiliano Rodríguez
- Abstract
Contrary to conventional wisdom, the Production Code was not an imposition of the Catholic Church. The forces that implanted the code were more numerous and powerful, and its main objective was to maintain its hegemony over society at a time when it was weakening. One of the main keys to the defense of economic and ideological status quo was the creation of primary frameworks that would serve to interpret social problems in a univocal way. In this paper I treat the establishment of the code from the perspective of the analysis of these frames.
- Subjects
UNITED States; MOTION picture censorship; HAYS Code (Motion pictures); MOTION picture censorship laws; MOTION picture industry; HEGEMONY; FRAMES (Social sciences); IDEOLOGY &; motion pictures; TWENTIETH century; HISTORY
- Publication
Zer: Journal of Communication Studies / Revista de Estudios de Comunicacion / Komunikazio Ikasketen Aldizkaria, 2016, Vol 21, Issue 40, p177
- ISSN
1137-1102
- Publication type
Article
- DOI
10.1387/zer.15533