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- Title
Emotions in Music: Hanslick and His False Follower.
- Authors
Guczalski, Krzysztof
- Abstract
Nick Zangwill (2004 , 2007) appears to be acquiring the status of repudiator-in-chief of emotion in music. He is invoked in this role by such authors as Kraut (2007 , p. 67), Bonds (2014 , p. 5), Robinson (2014) , Young (2014 , pp. vii, 1, 3–4, 151), Davies (2017) and Kania (2017). His 'manifesto' paper (2004) was recently reprinted in Lamarque and Olsen (2018 , pp. 574–582). This development is unfortunate, because Zangwill, for all his radical-sounding theses, actually argues against views that hardly anyone holds. What is more, some of his arguments in favour of the obvious seem confused and defective. But as for his really radical thesis that 'Music, in itself, has nothing to do with emotion', he provides hardly any justification. What is more, contrary to what Zangwill believes, such justification is not to be found in Hanslick, who in fact sees emotional content as a relatively important element of music.
- Subjects
MUSIC; ZANGWILL, Nick; THESIS statements (Rhetoric); MUSICAL composition; MUSIC industry; BUSINESS enterprises
- Publication
British Journal of Aesthetics, 2022, Vol 62, Issue 3, p325
- ISSN
0007-0904
- Publication type
Article
- DOI
10.1093/aesthj/ayab042