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- Title
Augustine on rhythm (or how to do theology in conversation with the arts).
- Authors
Havenga, Marthinus J.
- Abstract
This essay reflects theologically on rhythm by turning to the North African church father Augustine, specifically his work De musica. It begins by briefly referring to recent theological work on rhythm, before introducing Augustine and discussing the role music played during and after his conversion to Christianity. This is followed by an exposition of De musica: a work which comprises six books. It is shown how the first five books offer a comprehensive rhythmic theory, which is then followed - in Book 6 - by a theological discussion of the topic. Finally, the essay briefly explores what we can learn from Augustine's text, not only in terms of rhythm but also about theological engagements with the arts more generally. Intradisciplinary and/or interdisciplinary implications: As part of the larger interdisciplinary conversation between theology and the arts, this essay focuses on the theological dimensions and implications of rhythm by turning to what could probably be viewed as one of Christian theology's first interdisciplinary texts, namely Augustine's De musica. Interdisciplinarity thus stands at the very heart of the contribution.
- Subjects
AUGUSTINE, Saint, Bishop of Hippo, 354-430; RHYTHM; CONVERSION to Christianity; FATHERS of the church; CHRISTIANITY; THEOLOGY; CHRISTIAN philosophy
- Publication
Verbum et Ecclesia, 2023, Vol 44, Issue 1, p1
- ISSN
1609-9982
- Publication type
Article
- DOI
10.4102/ve.v44i1.2693