This article examines how the Dragon Princess, one of the most celebrated characters in the Lotus Sutra, is represented in the noh drama Ama and the Heike Nōkyō sutra set. By doing so, it debunks the prevailing consensus in understanding the Dragon Princess and her episode in the sutra, and illustrates a hitherto unnoticed intrinsic ainity between medieval Japanese engi stories and Buddhist scriptural narratives.