The article analyzes the film "Parasite" directed by Bong Joon-ho, which has grabbed the top prize at Cannes in 2019. It is noted that form the perspective of the film, indigence is the great battle and will lead to the greatest suffering. It is noted that the film ends as gently optimistic, but screenplay suggests a chaotic cycle of dehumanisation, leavened only by superficial pleasures like lavish baths and expensive bottled water.