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- Title
Apuntes sobre Charly García. EL PARLANTE QUE NO DISTORSIONA.
- Authors
Pujol, Sergio
- Abstract
This article examines the musical knowledge of Charly García as a sociocultural differential in Argentinian rock. Since his debut in 1972 in the duet Sui Generis until his coronation as a pop icon in the 80's, this musician relied upon his musical training known as a symbolic capital to be legitimized as a popular artist and, at the same time, to legitimize Argentinian rock. His success can be measured by his transcendence beyond rock culture - it is impossible to view Argentinian music in the last 50 years without considering Charly García's work. This article aims at reflecting not so much on the musical "content" of the creator of No bombardeen Buenos Aires but on the resources he made use of to be recognized in a popular genre which was mistreated and disdained in its beginnings by part of the Argentinian cultural field.
- Subjects
BUENOS Aires (Argentina); SYMBOLIC capital; CORONATIONS; CONTEMPT (Attitude); MUSICALS; DUETS
- Publication
Plurentes, 2021, Vol 11, Issue 12, p2
- ISSN
1853-6212
- Publication type
Article
- DOI
10.24215/18536212e019