We found a match
Your institution may have access to this item. Find your institution then sign in to continue.
- Title
LA DOBLE ESCENA: USOS FILOSÓFICOS DEL TEATRO Y DISTINCIONES TEATRALES EN LA FILOSOFÍA FRANCESA CONTEMPORÁNEA.
- Authors
ALVARADO CASTILLO, NICOLÁS
- Abstract
The purpose of this article is to show how the use of certain terms of theatre, that are employed to describe philosophical procedures or concepts, reveals two different kinds of relations between philosophical discourse and artistic practices: On the one hand, some philosophers make a conscious and metaphorical use of the vocabulary of scenic practices to describe their own operations; on the other, the technical and historical determinations of these practices open up new interpretations of philosophical constructs, even though, at first, they were not intended to do so by the authors that exploit them. To fulfil this purpose, this article analyzes significant moments of contemporary French thought--where there are frequent expressions such as scene and dramaturgy--, in order to trace the genealogy of that philosophical interest and explore a series of descriptions of the theory and practice of classical French theatre.
- Subjects
FRENCH philosophy; MODERN philosophy; THEATER; DRAMA; RANCIERE, Jacques, 1940-; FRENCH drama
- Publication
Universitas Philosophica, 2018, Vol 35, Issue 71, p379
- ISSN
0120-5323
- Publication type
Article
- DOI
10.11144/Javeriana.uph35-71.deft