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- Title
PHILOSOPHICAL AND AESTHETIC DISCOURSE OF MALLEABLE LANGUAGE IN DRAMA THEATER PERFORMANCES.
- Authors
Tsoy, A. V.
- Abstract
The searching of new means of expressing dramatic action in the theatrical art of the 20th- 21st century, directors are increasingly resorting to experiments of synthesizing and developing forms of actor's existence in performances. The use of malleable language, which opens up a new area of expression, is becoming an increasingly relevant means of solving this issue. The expressive feature of malleable language is a peculiar way of communicating without words at the level of perception of feelings and thoughts. It forms the basis of malleable art in the art of the actor, as a person primarily acting, not speaking. In addition, this is another way of transmitting information on a subtle level in the disclosure and understanding of aesthetic categories of the philosophy of choreographic art in the modern theatre space. The dramatic action of the 21st century, where the main outline is the existence of a malleable language that obeys the clear drama of the entire performance, develops and is enriched by the bold experiences of creative associates ‒ the director and choreographer. In this paper, the author attempts to cover the main aspects of the interpretation of malleable language from the point of view of philosophical and aesthetic reflection on the example of some dramatic performances that arose in the 20th-21st centuries in the repertoire at the State Academic Korean theatre.
- Subjects
AESTHETICS of the theater; THEATRICAL producers &; directors; THEATER history; 20TH century drama; DISCOURSE analysis
- Publication
Central Asian Journal of Art Studies, 2019, Vol 1, Issue 4, p22
- ISSN
2414-4177
- Publication type
Article