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- Title
İçkin Şiddetin Kararsız Boşluğunda Çocuk(Suluk): Yasanın Zamansallığının Yıkımı ve Başkalık.
- Authors
DERİN, ÖZLEM
- Abstract
Violence is one of the qualities that form the basis of our existence. The violence that Walter Benjamin, who has a place in the history of French thought, deals with through the concept of history, grounds the transition of man from natural life to settled life and under the rule of law. However, the law is also in the imagination of the sovereign. Therefore, it is open to corruption over time. Benjamin states that this corruption will end with an opposition, a Messianic violence. While legal violence makes people uniform, Messianic violence is in personal form. According to Benjamin, people find themselves in moments of breaking when law-making and law-protecting violence is applied. Based on this statement, the purpose is to create and ground a childlike form of violence about the child, whom Benjamin says is running among the ruins of history. This childish form is inherent violence and the individual's formation of self through questioning and objection. Time and space disruption, such a person opens a new space in society where he manifests himself. Childish immanent violence corresponds to the moment's stop, time's suspending, and a breach of the law. These have a similar effect as the photo. The art of photography is somewhere between the seen and the unseen, inside and outside society and the law. The person who uses childish inherent violence becomes barbaric and alien compared to others and is neither inside nor outside. In short, it suspends the entire flow. Ori Gerscht's photographs of destruction in the text will present examples of this theme.
- Subjects
PHOTOGRAPHY; VIOLENCE
- Publication
Beytulhikme: An International Journal of Philosophy, 2023, Vol 13, Issue 3, p415
- ISSN
1303-8303
- Publication type
Article
- DOI
10.29228/beytulhikme.65750