The article focuses on the "romanesque" adaptation of Madame Bovary in the form of a "roman-photo" (photographic novel) and its relationship to the literary work of Flaubert. It explores the peculiarities and significance of the "roman-photo" adaptation of Madame Bovary, considering its visual format and its deviation from the original text. It delves into the concept of "bovarysme" and how this phenomenon relates to the "roman-photo.