These images are so ubiquitous as to have taken on definitive status, giving them an authority nearly ethical in their quality; all this despite the fact that Sachs's paintings are mostly of logos of things to be sold. There is little doubt Sachs agrees with Warhol's imagistic projection of American materialism. These elegant substances elevate the quotidian status of the paintings' subjects, even should we be unaware of their presence when we look at Sachs's art.