We found a match
Your institution may have access to this item. Find your institution then sign in to continue.
- Title
Pre-existing classical music in French auteur cinema in the 2010s: Baroque predominance and processes of choices in a digital world.
- Authors
Alvim, Luíza
- Abstract
In the Nouvelle Vague, there was a relevant use of music of classical repertoire (Alvim, 2017), usually aligned to the director's taste ("auter music", according to Gorbman, 2007), such as Beethoven's pieces in Godard's films. In contemporary French films, there is a recurrence of works by Bach and Vivaldi, which could partly be explained by their omnipresence in digital platforms. In a chosen corpus from films selected by the Cannes Film Festivals in the 2010s, we analyze the aesthetic use of this baroque repertoire and the motivations for the choice.
- Subjects
CANNES (France); DIGITAL technology; FRENCH music; BEETHOVEN, Ludwig van, 1770-1827; BACH, Johann Sebastian, 1685-1750; FRENCH films; MOTION picture theaters
- Publication
Revista FAMECOS - Mídia, Cultura e Tecnologia, 2023, Vol 30, Issue 1, p1
- ISSN
1415-0549
- Publication type
Article
- DOI
10.15448/1980-3729.2023.1.44852