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- Title
The Reception of the Oeuvre of Composers Active at the Court of Rudolf II in Prague in the Contemporaneous Musical Repertoire of Historical Upper Hungary.
- Authors
Hulková, Marta
- Abstract
Habsburg courts, including that of Rudolf II, were, after the papal court, the most renowned places for music-making in Europe. The noblemen of this dynasty were great patrons of the arts. The musical repertoire played at their courts was distributed thanks to contemporaneous published anthologies and authorial publications as well as manuscripts in the areas under the political influence of the whole of the Habsburg Monarchy. It found its way to the contemporaneous musical repertoire in the Catholic and Evangelical church communities in Hungary as well, including the territory of present-day Slovakia. In particular, 13 compositions by Ph. de Monte and 12 by J. Regnart have been preserved in the form of primary sources (masses, motets), the most valuable of which are those which had never appeared in print and were distributed only by manuscript copy. Two of these compositions by Ph. de Monte might be unique occurrences - Magnificat octavi toni (6 v.) in the manuscript part of convolute 26859 (olim 4873) of the Order of Friars Minor in Bratislava, and the motet Domine exaudi orationem meam? in manuscript 13997 /56-58 A/ of the Levoča Music Collection (Spiš).
- Subjects
HUNGARY; COMPOSERS; MUSIC history sources; MUSIC; MUSICAL composition; DE Montebello, Philippe, 1936-; MUSICAL notation
- Publication
Hudební Věda, 2015, Vol 52, Issue 2, p133
- ISSN
0018-7003
- Publication type
Article