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- Title
We Compose and Learn in Multiple Modes.
- Authors
VĂCEAN, Alin-Corneliu
- Abstract
Obviously, the word "modes" displayed in the paper's title is a homonymy, as the meaning of the word "modes" intends to refer to the musical acceptation of the word, more accurately in fact to the structure of a scale of sounds. Before discovering Tonaly Pro, I had never had the chance to find, in any other music software that I worked with, such a large variety and generosity of modes, each of them grouped according to categories (species), such as: church modes, pentatonic, harmonic, melodic, blues, bebop, jazz, pentatonic (jazz), exotic modes and even a last category called "others", which includes as examples: augmented heptatonic, flamenco, and mystety#1. The musical creator - regardless of the genre in which they manifest their calling - knows that the modal systems enclose the bases of the musical language, modes being an inexhaustible source of creation along the entire evolution of music. A mode can represent, therefore, a mass of sounds contained in a certain order endowed with an artistic purpose, an order necessary for creation as a complex process serving to display a content of ideas. The logical organization of the musical material concomitantly creates the premises for the auditory-emotional perception of the artistic message by the listener.
- Subjects
SEMANTICS; FLAMENCO; GYROTRONS; MUSIC software
- Publication
ICT in Muzical Field / Tehnologii Informatice si de Comunicatie in Domeniul Muzical, 2022, Vol 13, Issue 2, p57
- ISSN
2067-9408
- Publication type
Article
- DOI
10.47809/ictmf.2022.01.06