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- Title
O ABORDARE HERMENEUTICĂ A CRITICII DE TEATRU.
- Authors
BOHANŢOV, Alexandru
- Abstract
The status of theatrical criticism is an ambiguous one, due to the existence of different points of view. Yet, the most performing arts researchers agree that it (theatrical criticism) can be an important axiological tool. Some consider theatre criticism as a field in the creation of literature that reflects the current activity of a theatrical institution. There are common points with theatrology, characterized by a larger operation in approaching theatrical events. Theatrical criticism is a ferment which is an absolute must for the artistic life, and in this position, it becomes an important coordination entity of the theatrical policy for one society or another. The criticism of dramatic literature and theatre are two distinct types of analysis and evaluation, although they are mutually conditioned and intertwined. Theatrical criticism does not mean a mimetic speech, in the care of which is a regular or simple account or a description of the aesthetic object (scenic show). The most appropriate formulation of a critical act concerns interpretation and creation, since the theatrical work (scenic fiction) is a synthesis of diverse languages: speech, mimicry, gesture, decoration, costume, lights, music). We deal with an extraordinary semantic richness, a fact that requires from the critic a good taste, general culture, theatrical culture, analytical and synthetic spirit, honesty, writer or writing availability.
- Subjects
PERFORMING arts; DRAMATIC criticism; THEATRICAL costume; ENZYMES; CRITICISM; HALLOWEEN decorations
- Publication
Intertext, 2019, Issue 3/4, p217
- ISSN
1857-3711
- Publication type
Article