We found a match
Your institution may have access to this item. Find your institution then sign in to continue.
- Title
JOHANN SEBASTIAN BACH’IN “BWV 1017 DO MİNÖR KEMAN-HARPSICHORD SONATI’’NIN İNCELENMESİ ve YORUMLANMASI.
- Authors
ŞAHİN, Ebru
- Abstract
How Baroque music should be played today and whether the baroque period affects today's music styles is still a matter of discussion. Particularly the understanding of J.S.Bach’s violin work as a romantic period piece, and the vibrato technique, which is used excessively, tells the opposite musical expression in the work. Of course, the interpretation of a piece is relative and it is vital for everyone, especially famous musicians, to occur with their own musical expression and play it the way they want. However, before interpreting a Baroque work, it should be done by examining the period features of that work and taking into account the style, expression and archeology techniques of that period as much as we can. The analysis of Bach, who is a great composer with the most disagreement about the interpretation of his works, is very important in these respects. In this article, it is aimed to examine J.S.Bach's C minor Violin-Harpsichord Sonata in terms of form and musicality and the performers are expected to have information about the correct interpretation of the piece.
- Subjects
BACH, Johann Sebastian, 1685-1750; MUSICAL interpretation; MUSICALS; MUSICIANS; ENTERTAINERS; BAROQUE music; SONATA; VIBRATO
- Publication
Pamukkale University Journal of Social Sciences Institute / Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 2023, Vol 58, p103
- ISSN
1308-2922
- Publication type
Article
- DOI
10.30794/pausbed.1197720