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- Title
Nuevas tácticas digitales del sector musical El streaming en las estéticas del Sur ante la pandemia de Covid-19.
- Authors
Laborde, Julieta
- Abstract
This article analyzes the use of streaming platforms by music artists in the context of the Covid-19 pandemic in relation to the contributions of Andrew Feenberg about his critical theory of technology (2005). In a global context of complete health, economic and social uncertainty unleashed by the proliferation of the virus at the beginning of 2020, the artistic sector was one of the most affected sectors in the world geography (Capasso, Camezzana, Mora & Saez; 2020; Laborde, 2021). In Argentina, after the national provisions of the ASPO - preventive and compulsory social isolation - which suspended all live performances for months, a part of the local music sector leaned towards the use of live music streaming platforms in order to survive in the face of paralysis. total of the sector. This article seeks to reflect on these new modalities in musical practice, their unequal configurations and the need to promote a decolonial perspective (Gómez & Mignolo, 2012) and criticism of these platforms as well as the role of the State.
- Subjects
ARGENTINA; FACIAL paralysis; ECONOMIC uncertainty; COVID-19 pandemic; MUSICAL performance; SOCIAL isolation; MUSICAL criticism; DIGITAL music
- Publication
Question (1669-6581), 2022, Vol 3, Issue 72, p1
- ISSN
1669-6581
- Publication type
Article
- DOI
10.24215/16696581e718