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- Title
LA TRANSTEXTUALIDAD EN LOS TÍTULOS DE CRÉDITO EN THE HUMAN VOICE (2020) DE PEDRO ALMODÓVAR.
- Authors
HORNERO CAMPOS, Virginia
- Abstract
The human voice (Almodóvar, P. 2020) deals with human loneliness, specically the female one, through drama and woman's despair who gives everything she has to let her love relationship go on, but who also does not hesitate to change what remains. Premiered at the Venice Festival, it is perhaps best Pedro Almodóvar's work where a symbiotic relationship can be observed in which transtextuality (Genette's term and theory commonly used in the literary eld) transcends to generate a puzzle in which the opening curtain of credits titles, with a magnanimous identity charge, will dialogue under Stvdio Gatti's creativity, with the film of La Mancha's director, without qualifying or complementing it. Both works (titles and film) will converse in a playful and transversal way to lead the irremediable demonstration that the credits in Pedro Almodovar filmic projects have an unequivocal transtextual behavior.
- Subjects
CASTILLA-La Mancha (Spain); ALMODOVAR, Pedro, 1949-; NEGOTIABLE instruments; LONELINESS; TRANSVERSAL lines; DESPAIR; CREATIVE ability
- Publication
Fonseca: Journal of Communication, 2021, Issue 23, p239
- ISSN
2172-9077
- Publication type
Article
- DOI
10.14201/fjc202123239252