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- Title
Musical Listening and Performance as Embodied Dialogism.
- Authors
Bogdan, Deanne
- Abstract
The author discusses her exploration of the possibilities for and the risks of self-transformation of the confrontation of the other within the self in private musical performance practice, a memoir of her involvement with the Beethoven Second Piano concert. She notes that her work is a participation in the critical genre that affirms the close and synergistic connection between the personal and the professional in writing about culture and education. She also adds the ideas of Jungian analysts Marion Woodman and Elinor Dickson, who see no contradiction between commitment to the other and to the self.
- Subjects
SELF (Philosophy); OTHER (Philosophy); MUSICAL aesthetics; JUNGIAN psychology; WOODMAN, Marion, 1928-2018; DICKSON, Elinor; MUSICAL performance; PIANO music; CONCERTS
- Publication
Philosophy of Music Education Review, 2001, Vol 9, Issue 1, p3
- ISSN
1063-5734
- Publication type
Article