Alan Michelson, a Mohawk artist, reflects on the importance of place and the erasure of Indigenous history in his artistic practice. He discusses his site-specific installations, such as Earth's Eye and Mespat, which explore the history and significance of specific locations in New York City. Michelson also critiques land art, highlighting its lack of acknowledgment of Indigenous history and its appropriation of land. He emphasizes the deep connections Indigenous peoples have to the land and the obligations they have to it.