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- Title
Work of Luigi Russolo: The Origins of the Use of Electroacoustic and Sound-Noise Experiments in French Film Music.
- Authors
PLATONOVA, OLESIA
- Abstract
The article is devoted to the analysis of the activity of the inventor and composer Luigi Russolo through the prism of the prerequisites of sound-noise and electroacoustic experiments in French film music. Writing the manifesto The Art of Noise, creating a series of mechanical instruments (intonarumori, russolophone), composing music based on the sounds of the real world (rumbling, whistling, murmuring, imitating the voices of animals, etc.) ñ these are the milestones that in the future showed the way to the pioneer of musique concrète, Pierre Schaeffer. Moreover, Russolo, who conducted experiments on the sonification of silent films in the Paris cinema Studio 28, was one of the first to demonstrate the expressive power of sounds and noises and their role in the dramaturgy of the film.
- Subjects
MOTION picture music; FRENCH music; FRENCH films; COMPUTER music; SILENT films; MUSICAL composition
- Publication
Music Science Today: The Permanent & the Changeable / Mūzikas Zinātne Šodien: Pastāvīgais un Mainīgais, 2022, Vol 14, p76
- ISSN
2501-0344
- Publication type
Article