The article focuses on a controversial debate regarding 10 fugues composed by Italian composer Maria Rosa Coccia. Topics discussed include allegations by composer Francesco Capalti of Narni Cathedral regarding fugues composed by Coccia being erroneous and reasons behind her qualifying examination for achieving the title of Maestro di Cappella, life of Coccia as a child prodigy, and allegations made by Capalti against Coccia of being false and gender biased.