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- Title
"Blinking and Thinking: The Embodied Perceptions of Presence and Remembrance in Gaspar Noe's Enter the Void".
- Authors
Gazi, Jeeshan
- Abstract
This article examines significant innovations in the visual communication of subjectivity as found in Gaspar Noe's Enter the Void (2009). Through its mimesis of natural perception, Noe's first person point of view camera is truly subjectivized, and this embodiment passes into the active remembrance of the film's subsequent flashback sequence.
- Subjects
ENTER the Void (Film); NOE, Gaspar, 1963-; SUBJECTIVITY in motion pictures; MOTION pictures &; technology; FLASHBACKS (Narrative); MIMESIS in motion pictures; VISUAL perception; VISUAL communication
- Publication
Film Criticism, 2017, Vol 41, Issue 1, p1
- ISSN
0163-5069
- Publication type
Film/Television Criticism
- DOI
10.3998/fc.13761232.0041.101