We found a match
Your institution may have access to this item. Find your institution then sign in to continue.
- Title
Musik und Zeit bei Kant.
- Authors
Herrmann-Sinai, Susanne
- Abstract
There are two ways of dealing with Kant's derogatory position on music. Either it is claimed that Kant's opinion is a result of biographical factors, or Kant is regarded as a mere predecessor of a more successful music aesthetics. While the first way mistakes Kant's personal preferences for a philosophical argument about the nature of sound, the second approach underestimates the close connection between his music aesthetics and his whole philosophical system. Against these approaches the article defends the proposition that Kant's (like any other) music aesthetics can only be understood with reference to the concepts of „time“ and „movement“ in order to elucidate the ontology of sound objects.
- Subjects
MUSICAL aesthetics; AESTHETICS; EMOTIONS; RHYTHM; DAHLHAUS, Carl; RIEMANN, Hugo; LEIBNIZ, Gottfried Wilhelm, Freiherr von, 1646-1716; HEGEL, Georg Wilhelm Friedrich, 1770-1831; ART movements
- Publication
Kant-Studien, 2009, Vol 100, Issue 4, p427
- ISSN
0022-8877
- Publication type
Article
- DOI
10.1515/KANT.2009.023