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- Title
Political Propaganda, Morality, and Passions: Dramatic Expressions of Allegory in La Vie Monseigneur sainct Loÿs par personnaiges by Pierre Gringore, c. 1513.
- Authors
Duhl, Olga Anna; Kaplan, Translated by S. C.
- Abstract
Commissioned by the Parisian guild of carpenters and masons, Pierre Gringore's 6,572-line hagiographical mystery play, La Vie Monseigneur sainct Loÿs par personnaiges (Paris, BnF Fr. 17511), celebrates the life and miracles of Saint Louis IX, king of France, as a community-building endeavor. Basing the work on the medieval genre known as the mirror of princes and the classical tradition of parallel lives, Gringore infused the play with historical allusions as a way to promote a glorious image of the current king, Louis XII, as a new Saint Louis. Yet instead of describing Louis XII as a heroic warrior, according to the paradigms of laudatory rhetoric, he fashioned a portrait of a wise, charitable, and pacifist prince, more inclined to use words than force when confronting his enemies. Rather than being a sign of weakness, pacifism here represents the highest moral value, a reflection of the king's self-control and his steady reliance on the advice of his council, in contrast to his adversaries, whose actions were guided exclusively by unbridled emotional impulses. This essay uses a variety of political, moral, affective, and drama theories to examine Gringore's adaptation of allegory as a performative strategy, offering new insight into the author's choice to reshape the medieval mystery play into a historical and political drama while also seeking the charitable king's financial support.
- Subjects
PARIS (France); LOUIS IX, King of France, 1214-1270; ALLEGORY; ETHICS; VALUES (Ethics); HISTORICAL drama; ALLUSIONS; PACIFISM; PROPAGANDA; ADVICE
- Publication
Digital Philology: A Journal of Medieval Cultures, 2021, Vol 10, Issue 2, p1
- ISSN
2162-9544
- Publication type
Article
- DOI
10.1353/dph.2021.0026