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- Title
PRINCIPLES FOR IDENTITY ASCERTAINMENT COMPOSER'S CREATIVE WORK (ON THE EXAMPLE OF FUGUE GENRE).
- Authors
Maruashvili, Leila
- Abstract
There are two major problems distinguished among the multi-aspect issues related to the study of the identity phenomenon - identity formation and its functioning. Author of the article researches how the already formed identity thoughts of the composer affect on his creative process and how the music reveals national, mental, religious, linguistic and other identities. Thinking identity of the composer is successively outlined in variety of musical genres and often represents a stimulus for evolution. In the Article, the composer's identity issue is discussed on the sample of fugue, one of the most conservative genre. The subject of analysis is contemporary fugue, which has been developing in two main directions: • establishment of the classical/typical model • creation of new structures The composer's mindset is reflected on the both, above mentioned cases and contemporary fugue as well as on the other stages of historical development of this genre (Baroque, Classicism, Romantism). Presented work, on the basis of various stylistic directions (D.Shostakovich, P.Hindemith, O.Messiaen, A. Schnittke, N.Gudiashvili, E.Chabashvili), shows the composer's consciousness, identity on the following levels of fugue: form, dramatic composition, content, musical vocabulary, Compositional techniques.
- Subjects
COMPOSERS; NATIONALISM; CREATIVE ability; MUSIC psychology; FUGUE (Musical form); SACRED music
- Publication
Musicology & Cultural Science / Musikismc'odneoba da Kulturologia, 2015, Vol 12, Issue 2, p52
- ISSN
1512-2018
- Publication type
Article