The paper discusses the relationship between perversion and fascism from a psychoanalytic reading of the film The White Ribbon (2009) by Austrian filmmaker Michael Haneke. This film is not about the genesis of Nazifascism in Germany, but about a question: what can we do to have fascism anywhere, in any situation? Since that question, the paper tries to think on the fascism embedded in our daily life, as well as the fascism that surrounds the exercise of psychoanalysis and its theoretical currents.