In this article, the author explains how poet Erin Moure creates a queer critique of literature, politics, and subjectivity through noise as a poetic medium. Moure insists that only by deliberate placement of one's literary and political attention upon strange, unwanted, and disruptive things can one ensure a place for the heterogenous multitudes and their embodiments to come. Erin feels how this helps her align her poetics of noise with queer theory's turn toward negative impact.