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- Title
XX. YÜZYIL HAREZM MAKAM MÜZİĞİNDE TERMİNOLOJİ SORUNLARI.
- Authors
AKBAŞ, Hüseyin
- Abstract
Laying the foundations of music of Uzbek Turkics' in by many musicologists as Al-Farabi, Avicenna, Safiyuddin Urmevi, Abd al-Qadir Maraghi from 8th century to the present day has become a system through various stages. Today, it is possible to study Uzbek Turkics' maqam music divided in three different groups. They are Fergana-Tashkent, Bukhara-Samarkand and Khwarezm maqams. Eastern peoples who make up the traditional shashmaqam and twelve maqam music systems lay the basis of the maqams aforementioned. The period of Khiva khanate in the 19th century has seen increased studies about the scientific aspects of music by Khwarezmian scientists. These discoveries continue to increase interest in the science of music; new books and opinions have emerged as a result. Thus, thereafter, began an epoch of development of maqam music in Khwarezm and subsequently, the terminological studies gained momentum. This is examined problems of terminology emerged in the 20th century with development of Khwarezm maqam music in axis of the studies of Uzbek Turkics' maqam music in this article. The problems identified are take into consideration the present-day Uzbek Turkics' maqam music theory their solution was sought.
- Subjects
MUSIC theory; MUSICOLOGY; TURKISH music; MAQAM
- Publication
RAST Musicology Journal / Rast Muzikoloji Dergisi, 2014, Vol 2, Issue 1, p128
- ISSN
2147-7361
- Publication type
Article
- DOI
10.12975/rastmd.2014.02.01.00025