Your institution may have access to this item. Find your institution then sign in to continue.
Title
TSAI MING-LIANG.
Abstract
The article offers information on Tsai Ming-liang's distinctive filmmaking style, characterized by minimal structure, character arcs, and dialogue, aiming for a sense of distance and immersion in his films. Topics include Tsai's role in the second Taiwanese New Wave with groundbreaking works like Vive L'Amour (1994) and The River (1997), his ongoing collaboration with actor Lee Kang-sheng, and the evolution of his filmmaking from provocative depictions to more introspective themes.