The article discusses feminine art in revisionism. It states that revisionism is the center of the moment in 1960s that seeped into the arts and is compared to a salt through a fresco. It notes that the luxurious cant of feminist art movement originated in 1960s in the Kampfzeit rhetoric. It adds that during this period, women stop supporting depraved tastes of the bourgeoisie and get rid of the spiritual weapons of the dying class.