We found a match
Your institution may have access to this item. Find your institution then sign in to continue.
- Title
The Musée Napoléonien: objects, performance and encountering the 'spectacular past' in the long nineteenth century.
- Authors
O'Brien, Laura
- Abstract
In the early months of 1903, a new play opened at the Théâtre du Château-d'Eau in Paris, La Chute de l'Aigle , telling the story of the weeks following Napoléon's defeat at Waterloo. Though the play itself was not particularly remarkable, it is notable for the presence of a 'Musée Napoléonien', containing a selection of original Napoleonic objects, in the theatre's foyer. This article takes this unusual coming together of Napoleonic display in theatre and material culture as a starting point to examine the interplay between these forms of historical representation in France in the long nineteenth century. It argues that, like theatrical performance, exhibitions of Napoleonic things—especially personal items and belongings—constituted part of the broader turn towards a 'spectacular past', where historical narratives and biography were mediated via entertainment and spectacle. It demonstrates how contemporaries read the display of the personal items of a historical figure in dramatic, narrative terms, underlining the interaction between the visions of the historical past being constructed in performance and in the display of historical objects. In looking at these popular opportunities for experiential engagement with the past, it suggests that—whether in theatre, in exhibitions or, as in La Chute de l'Aigle , in both—such phenomena should be understood as important elements in how historical knowledge is acquired.
- Subjects
NINETEENTH century; HISTORICAL literacy; NAPOLEON I, Emperor of the French, 1769-1821; PERSONAL belongings; MATERIAL culture; EXHIBITIONS
- Publication
French History, 2023, Vol 37, Issue 4, p468
- ISSN
0269-1191
- Publication type
Article
- DOI
10.1093/fh/crad047