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- Title
Dalmatinski motivi kod Miroslava Krleže. Prostor, kultura i sukob na pograničju.
- Authors
Czerwiński, Maciej
- Abstract
The aim of this article is to deal with the disputable role Dalmatia played in the Croatian-Italian-Serbian borderlands, referring to the foremost Croatian and Yugoslav writer Miroslav Krleža. Although he is mostly associated with the Croatian North, i.e., historical Croatia-Slavonia, called sometimes the Panonian cultural complex, his engagement in the discourse of Dalmatia after World War Two cannot be underestimated. In the period 1950-1951 Krleža prepared two exhibitions of medieval art (one staged in Paris as L'art médiéval Yougoslave and the other in Zagreb as Zlato i srebro Zadra) and wrote two introductions to their catalogues. In them, he builds a concept of a separate "South Slavic civilisation" that "negates" the bipolarism of Roman-Byzantine competing cultural models (Slavia Romana vs. Slavia Orthodoxa, according to Picchio). Referring to the spatial approach to literature, I attempt to situate the post-war Yugoslav discourse, radically confrontational and militaristic, within historical antagonistic discourses (Croatian-Italian-Serbian).
- Subjects
DALMATIA (Croatia); MEDIEVAL art; ART exhibitions; BORDERLANDS; CROATS; DISCOURSE; ITALIAN literature
- Publication
Studi Slavistici, 2023, Vol 20, Issue 2, p57
- ISSN
1824-761X
- Publication type
Article
- DOI
10.36253/Studi_Slavis-14967