Focuses on actress Karen Finley and one of her roles that has been virtually ignored in all her media coverage, her role in `The Theory of Total Blame,' which more closely approximates a `play' than any of her other work. `The Theory of total Blame' balances precariously between disruption of the Freudian familial model and the reification of it; Finley in `The Constant State of Desire'; The language of desire; More.