We found a match
Your institution may have access to this item. Find your institution then sign in to continue.
- Title
A recepção das teorias do dodecafonismo nos últimos Quartetos de cordas de Cláud io Santoro.
- Authors
Coelho de Souza, Rodolfo
- Abstract
This paper intends to show the influences that the twelve-tone theory, according to Eimert and Krenek, may have directly had on the composition of Santoro's last two string quartets. We prove that the theory of the all-interval series, presented by Eimert, contributed to the design of a twelve-tone series used by Santoro. We also show that Eimert's theory of angular mirroring of the series, also known as multiplication of the series, suggested to Santoro a model of hybridization between the classical tonal modulation procedure and the model of transpositions of the twelve-tone series. The analysis proved yet, that Santoro's twelve-tone technique exhibits a consistence equivalent to that of the referential twelve-tone serial composers, despite the widespread image that he made a free use of the technique.
- Subjects
TWELVE-tone system; STRING quartets; MUSIC theory; MATHEMATICAL series; MODULATION (Music theory)
- Publication
Revista Brasileira de Música, 2011, Vol 24, Issue 2, p329
- ISSN
0103-7595
- Publication type
Article