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- Title
«We accept the reality of the world with which we’re presented»: The Truman Show Effect.
- Authors
Rizzardi, Biancamaria
- Abstract
«Fantasy is like jam: you have to spread it on a solid slice of bread»: this observation by Calvino is in line with all those narratives based on the construction of imaginary worlds, nonexistent or invisible cities, landscape dreams, and simulacra. In this regard, American Dreams (1974) by Carey, and England, England (1998) by Barnes seem extremely interesting. In both texts, it is a question of being able to invent lies capable of convincing readers, of substituting real places with false but plausible and narratively credible spaces. In the first case, the story showcases a point of conjunction between postmodern and postcolonial views thanks to Carey’s way of dealing with the theme of simulation. In the second case, the protagonist’s theme park aims to encompass all the life-size tourist and cultural attractions across England, appropriately selected through a survey. This is an “England, England”, a replica truer than the truth to the point of replacing the original, which is doomed to an irreversible decline, in a perfect depiction of the supermodernity theorised by Augé. Both the theme park and the model town reproduce the ideal space of those who, too accustomed to images, no longer know how to appreciate reality or, differently put, the postmodern world. We could call this situation the “Truman Show effect”.
- Subjects
ENGLAND; CAREY, Peter, 1943-; BARNES, Julian, 1946-; AMUSEMENT parks; TOURIST attractions; TOURIST attitudes; FANTASY (Psychology)
- Publication
BETWEEN, 2022, Vol 12, Issue 24, p423
- ISSN
2039-6597
- Publication type
Article
- DOI
10.13125/2039-6597/5135