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- Title
De la Fin de l'art au Musée Imaginaire: Malraux lecteur de Hegel.
- Authors
Beránková, Eva Voldřichová
- Abstract
The article summarizes the major topoi of Hegelianism that Malraux adopts in his texts on art (The Voices of Silence, The Imaginary Museum and The Metamorphosis of the Gods), before focusing, in particular, on Malrucian interpretation of the end of art and on the links that the latter has with his own concept of the imaginary museum. According to some of Hegel's exegetes (Bernard Bosanquet, Martin Heidegger, Jean-Luc Nancy, Thierry de Duve, but also Theodor Adorno, Arthur Danto, Joseph Kosuth, Rainer Rochlitz or Jan Patočka), the end of traditional art paves the way for its retrospective conceptualization, its reconfiguration in the public space, as well as for very exciting debates on the nature of contemporary art, post-religious, post-national, post-historical in a way. The article illustrates the original place that Malraux occupies within this "positive" and creative interpretation of the end of art.
- Subjects
NATURE (Aesthetics); PUBLIC spaces; NATURE in art; HEGELIANISM; ART theory; PUBLIC art
- Publication
Svet Literatury: Casopis Pro Novodobé Literatury, 2022, p68
- ISSN
0862-8440
- Publication type
Article
- DOI
10.14712/23366729.2022.3.4