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- Title
La evolución de la figura materna en las películas sobre el conflicto irlandés.
- Authors
Martínez Álvarez, Josefina
- Abstract
Filmmakers have defined the feminine and maternal stereotypes in films dedicated to Irish political violence. The strong nationalist rhetoric of these films has kept the attributes of mothers as mimesis of the homeland almost unchanged since 1926. When the Peace Processes began in 1996 and after the signing of the Good Friday Agreements in 1998, directors and screenwriters enriched their narratives to show the presence of women in the public sphere. The production of these films, made in three different countries, Ireland, Great Britain and the United States, has determined the models of motherhood in line with the collective imagination of the different audiences, influencing in turn the construction of the story about the conflict and the women.
- Subjects
UNITED Kingdom; IRELAND; GOOD Friday Agreement (1998); PEACE negotiations; POLITICAL violence; FILMMAKING; MIMESIS; PUBLIC sphere
- Publication
Araucaria, 2024, Vol 26, Issue 56, p407
- ISSN
1575-6823
- Publication type
Article
- DOI
10.12795/araucaria.2024.i56.18